Bio:
Annie Lampman was born to an 1800s log farmhouse on the Fraser Prairie in north-central Idaho, ancestral home of the Nez Perce Tribe. Living a “back to the earth” lifestyle, her family had no running water other than what was collected from the roof to the cistern, and the “bathroom” was an outhouse a hundred yards out back along with a salvaged claw-foot bathtub in the kitchen next to the wood cook-stove where they heated water to bucket fill the tub. Later the family moved to Headquarters, Idaho—a remote early-1900s logging company town in the middle of the wilderness surrounded by millions of acres of trees and mountains stretching to Canada and back—where they stayed for forty years.
Homeschooling herself through high school, Lampman picked seed pinecones by the bushel to pay for her school supplies, and taught herself dendrology, ecology, and naturalist studies with her uncle’s old 1960’s college textbooks and the art of bonsai with her grandmother’s old 1940s bonsai books. She studied trees, made firewood, rode her horse (that she saddle-broke herself, although not very well), swam and camped on the wild North Fork of the Clearwater River, and backpacked with llamas into secluded high-country lakes and the depths of Hells Canyon. As an undergrad, she studied Nez Perce oral traditions and language in addition to creative writing. She has a Master of Fine Arts in Creative Writing from the University of Idaho where she worked with memoirist/novelist Kim Barnes.
Lampman is the author of the novel SINS OF THE BEES (Pegasus/Simon & Schuster) and the limited-edition letterpress poetry chapbook BURNING TIME (Limberlost Press). Her short stories, poetry, and narrative essays have been published in seventy-some literary journals and anthologies such as The Normal School, Orion Magazine, The Massachusetts Review, and Women Writing the West. She has been awarded the 2020 American Fiction Award in Thriller: Crime, the Dogwood Literary Award in Fiction, the Everybody Writes Award in Poetry, a Best American Essays “Notable,” a Pushcart Prize special mention, a Literature Fellowship special mention by the Idaho Commission on the Arts, and a wilderness artist’s residency in the Owyhee Canyonlands Wilderness through the Bureau of Land Management. She is an Associate Professor of Honors Creative Writing at the Washington State University Honors College. She lives with her husband, three sons, and a bevy of pets (including a tabby named Bonsai and a husky named Tundra) in Moscow, Idaho on the rolling hills of the Palouse Prairie in another 1800s farmhouse. She has a pollinator garden full of native flowers, herbs, berries, song birds, squirrels, butterflies, bumble bees, solitary bees, and honeybees.
Online Sampler of Short-form Writing:
“Sins of the Bees” (novel excerpt/flash fiction) Tiny Seed Journal
“All That Lies Beneath” (flash fiction) Lily Poetry Review
“Stormy’s Port and Polish” (flash fiction) SmokeLong Quarterly (with accompanying author interview: Smoke & Mirrors) —Pushcart Prize Nominated
“Dreams of Silver” (short story) About Place Journal: Infinite Country —Pushcart Prize Nominated
“Finding Eden” (short story) Wilderness House Literary Review
“Calling Fame” (flash fiction) Flash Fiction Magazine
“Recrudescence” (narrative essay) Phoebe Literary Review —Creative Nonfiction Award Finalist
“The Joints That Hold Us Together” (narrative essay) The Massachusetts Review —Best American Essays Notable Selection
“Learning How To Be Female” (narrative essay) The Normal School —Pushcart Prize Nominated
“Into the Desert” (narrative essay) High Desert Journal —Pushcart Prize Nominated
“Find a Trade” (poem) WORK Literary Magazine
Recent Awards and Honors Include:
American Fiction Award for SINS OF THE BEES
Press 53 Book Award for Short Fiction, finalist
Dogwood Literary Award in Fiction ($1000 award) Judged by National Book Award winner Phil Klay, who said: “’Whom the Lion Seeks’ pulls no punches. It is a tough and gritty and richly observed story about hard physical labor, about prison life, about guilt and addiction and obsession. This makes it all the more powerful when notes of compassion, camaraderie, grace and beauty break through. It is a remarkable piece of writing in which the story of a prison fire-crew becomes invested with the weight of the main character’s whole history of trauma and loss and grasping attempts at recovery and redemption.”
Idaho Commission on the Arts Literature Fellowship special mention ($1000 award)
Everybody Writes Poetry Award ($500 award)
Best American Essays “Notable”
Pushcart Prize XXXV special mention
Phoebe Literary Award in Creative Nonfiction finalist
On the Premises Short Story Contest special mention
Aftermath Magazine Short Story Contest shortlisted finalist
Driftwood Press’ Adrift Short Story Contest semi-finalist
Memoir Magazine’s #MeToo Essay Prize shortlisted finalist
Baobab Press Anthology special mention
Artist in Residence, Bureau of Land Management, Owyhee Canyonlands Wilderness (awarded best AiR artists in the country and chosen for national BLM AiR national representation)
Portz Grant, National Collegiate Honors Council, awarded for developing and implementing the first online honors creative-writing course in the nation
Idaho Commission on the Arts writing grant